OddThemes © 2015
Swinging girl

















Look where I am
There's no trace of sweat up here
And the wind, it's killing me.. yeah it's that cool!
I'm walking..
on the fresh green grass with crystal like dew drops on it
It's leading me to my all time passion- the swing!
I'm swinging away to glory in this cold winter evening
what not my eyes can relish upon
the trees and bushes are colourful with freshly bud flowers
the fragrance is telling me it's heaven
the melodious birds are chirping a beautiful tune,
to which I wanna sing along even if I'm not perfectly tuned
this place is nothing but a miracle
oh I don't wanna leave from here
but
I open my eyes and find myself in the park down my building
in the same old 'hot' city where they say it's a waste of time to swing.
but
I put on my headphones,
turn on the music,
and set my feet free from the ground
and I stare at my feet going up and back as the swing moves in full swing!!

~ Plabita Borthakur (manu)

2 comments:


Niyati Doshi
Traveller, Photo Journalist, New Zealand



A wandering soul with a wandering mind,
who is passionate about traveling and photography. 
She wants to explore the entire world before she dies;
and is currently based in New Zealand.




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Photo Credit : www.thinkstockphotos.ca





















How do you do it?
Behave like nothing matters, it doesn't to you maybe,
but it does to me, or what's left of me.

I've loved you with all I knew of myself,
and now I'm faced with a stranger in the mirror,
I don't know where she went, the girl who identified with my concept of the self,
She was a warrior.

Now I'm here like a ruined battle ground,
Frayed all over, nothing left to be lost and found.

I've almost forgotten how to breathe,

Anger no longer makes me seethe.

Bruised and broken,
There's nothing left to be spoken.
I reach out, and you don't.
It's not that you can't, but that you won't.

Pragmatically, I get you, your reasons and all.
Emotionally, I fell for all of you, in the season of fall.
Because even though I get why you're like this,
I just wish it wouldn't have to be like this.

So tell me, Love, how do you do it?
Fall in love and then get over it.
How do you breathe with a punctured heart?
Or was it absent right from the start?

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The sun is in its prime, young children throng to the Ice Cream Van, the smell of wet grass and lime juice fills the air; a rhythmic tune of the typewriter initially interrupts the sound of chirping birds and laughing children, but soon becomes one with all around it, encompassing every sound, every detail within itself. Inflicting on paper, a subtly enjoyable torture, a permanent tattoo.

He types away furiously, fingers never pausing to rest. The typewriter, irritates at first, but slowly turns into a lullaby. Hector falls asleep at his master's feet, there's no leash or anything of importance to retrieve. His master sits by a piles of sheets, some tattooed, some not. Fascinated by this solitary heaven, I look up from my book to smile at him. His face is blank, it says nothing, it sees nothing. It remains lost in thought, remembering, recollecting, re-living. Then as though possessed by an invisible power, he types away, with fervor and passion, stronger than his body can sustain, younger than his appearance will allow. Hours go by, in a similar fashion. It is time for me to leave, and I do. Not thinking much at all, about this strange man with a dog by his feet and a typewriter across his lap, not thinking for the hungry dog's patient loyalty. I live my life, and see him the next morning. Same place, same clothes.

He has not gone home.

Once again I try to establish eye contact, once again the vacancy of his expression rejects me. I go on with my life. The day has grown older, I return home, he is still there. I fight the impulse to go over and ask him what his business is. A fortnight goes by before I ask him what he wants. "Nothing" he says, and types away. "Do you have someplace to go?" No response. I try to sneak a peek and Hector objects, with an unfriendly bark, miffed by the distraction, I'm greeted with the embodiment of physical agony and irritation in the eyes of this man. I walk away with an apology so sincere it stings my own eyes.

He has still not gone home.

The next few days go by with no interaction, though Hector and his master look weaker, paler, but never morose. I go over, the next afternoon, not to impinge, but to unhinge - myself from this growing feeling of ruthless observation, and overpowering rejection from this strange man and his dog. I bring a portion of food over, leave it by their side. I'm once again greeted with those same eyes, but confusion shrouded the agony of irritation. I smile and walk away wordlessly. The next week flies by in this fashion.

All this time goes by, and he still never goes home.

I catch a glimpse of him now and then from my kitchen window, never stirring from his place, unless an emergency presents itself. I live my life, but now this man and his strange dog are a small part of it. There is no relation but a strange connection. Summer is coming to an end with the cool breeze grazing our skins. I'm on my way, across the street, into the park where this strange friend, and his dog sit. I place the food where I usually do and turn to walk away. A breeze teases him by running along with a few recently tattooed pages. I offer to help, but I'm shunned away. Just like I was, the very first time, all those months ago. I try to walk away, but turn back around. He's too busy typing. The papers around him are collected, and haphazardly placed under the weight of the food container I just left there. I walk away. Once more, restrained by unfamiliarity, to ask of him, the meaning of his actions, or the lack of them.

Summer has passed, and the rains reign over with their scintillating blows. I'm constantly pushed away by this strange man with a typewriter and dog. I don't see him in the park anymore. It seems he's moved away to a better spot. But of one thing I am sure, he's never gone home. Not once since that afternoon in the early summer. The rest of the year goes by. My life goes by. Unaffected by the change in routine; no more daily trips to the park with food for a strange man with a typewriter and dog.

...

Summer comes around once more. The world is warm with happiness again. I'm at the park with my book again. But the strange man with the typewriter never returns. I go home to find a parcel at my door. It seems a bit too heavy to just lift off the floor. I let myself in, throw my belongings at the couch and reach for the parcel and set it upon my table. It bares no indication of the sender, yet the wrappings are untidy and hurried.

...

Reader, it was a Typewriter.

And with it a small typed note (with several muddy paw prints) that read as -

"This typewriter, has written of and witnessed many phases in my life. I have very little memory of the person that you are, but your kindness of spirit is etched deep into my heart.

Thank you,
J."

I was both surprised and moved to tears. How did he know where I lived? When had he delivered the package? Why did he have to send me anything at all?

The only thing I knew him by, was now sitting atop my table.

...

Several months have gone by since. I heard a strange knock on the door one afternoon. A strikingly beautiful young woman stood before me and said with quiet disbelief, "you are exactly as he described you." 
...

She was J's daughter. J was an aspiring writer and an Alzhimer's patient. He could never finish the any of his works because he often lost track of the plot. He was always too stubborn to seek treatment and left home without a word. He'd traveled too far and had no means to find his way back, he was too afraid and obstinate to ask for help. So he did what he knew best - observe and document. 

The last interaction I'd ever had with him, was the same day the search parties found him. Took him to a hospital and started treatment unsuccessfully and forcefully.

His last words - " she'll know what to do, just tell her, I'm going home."

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I always knew it would be hard..
But this hard I had no clue!
I took you close for who you are..
And from my heart I say, it's true!
So much for me everyday, everytime,
No one else would do what  you've done!
And look at me, I underestimated 'the time'..
And thought that faster than time I can run!
There still was the stupid mind that wanted to be heard..
But I was too deaf, and look what I have done!
Now, of tears there is a dearth..
But to make me light, I want more of it to come!
Cause the lines you sing linger in my mind..
No matter when, where or what I have to be!
I've Been a fool, I've messed up with you..
I should have known there isn't a safe place for me!
There is no safe place for me..
There can't be a safe place for me...
And look at me,

I was trying to run faster than time!

~ Plabita Borthakur (manu)

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With this flow of blood, I'm reaching brightness...

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रोज़ाना रोनेकी जैसी आदत सी हो गयी है हमें,
ना ना हमें नहीं यह नादान आँखें नही मानती,
मन को तो हम समझाते है पर आँखें उतनीही चंचल|

हररोज़ रात तकिया गिला कर देती है,

आंसूओंकी दो बूँदे आँखों से फिसलकर गालों पर से गुजरते हुए,
कानो के निचे से गर्दन के पिछले हिस्से से होकर तकिये पर जा गिरती है, बची हुई आंसूओंकी लकीरे ऐसेही सूख जाती है|

लगता है हमारी आंसूओंको तकिये से प्यार हो गया है,

आंसू प्यार करके उसे छुपाना भी अच्छी तरह से जनते है,
उसे डर है कही तकिया गिला रहने की  वजह से मुझसे कोई सवाल न करे,

फिर दिन होता है, फिर रात आती है, 

फिर आँखें बूँदें बरसाती है,फिर तकिया गिला कर देती है|

------यशश्री (मनस्विनी)

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Arpana Theatre’s Stories in a Song comes with its own definition- a collage of music, theatre and literature. And then it pushes its own periphery of performance- to encompass history, culture, human nature. Musically conceived by Shubha Mudgal and Aneesh Pradhan and directed by Sunil Shanbag, this menagerie of six narratives represents theatre as a conduit of critique and change. Flanked by the pakhawaj, dholak, table and harmonium; the live sounds and rhythms infuse an authentic setting to every era, act as the travelling troubadour and create characters out of actors by adding the additional dramatic layer.
Stories in a song review

While confessedly, the word cannot illumine the stage, here’s glimpsing through the stories that outlived their stage life:

Mahatma Gandhi and the Tawaif Sabha:
The conventional figure of the sutradhar underscores the marginalized position of the prostitutes and just when the audience anticipates a story of redemption, the fourth wall and the falsity of representation are simultaneously ruptured- the character on stage interrupts the sutradhar and claims ownership of her own story, in her own voice. This directorial choice tells the audience that the intention to get the tawaifs to the centre of stage and history is for real.  For those in the audience who could not grasp the meaning of every word sung by the tawaif(Ketaki Thatte), the facial expressions and gestures sufficed to invoke the premise of the song-narrative. The sensual appeal of the tawaif is at once transformed into her performative body rather than her sexual one. The interaction with the Mahatma is narrated onstage by the tawaif as an offstage incident in the past- this fluid transition in time and space further engages the audience in the imaginative process of the traditional story-telling tradition.  

Chandni Begum:
If the characters and sutradhar exchanged places in the previous one, here the fictional stage dramatizes fictional characters from Qurat-Ul-Ain Haider’s novel Chandni Begum. Art meets reality and reality ruptures art…the line has blurred. Here, music ceases to be a mere medium, in fact, it assumes the significance of a theme. The hypocrisy of the Socialist revolutionary ideologies and propaganda add the shade of sarcasm while underscoring the socio-economic constructs for a genre of music to thrive. What was astonishing to see was the development of the character of Bela (Trisha Kale) and the times, within the extremely short stage span through the nuanced singing she undertakes. The song at the wedding has sly undertones of boldness, the mother’s song assumes a nostalgic sentiment of a time when women and marriage were best companions. The same song emerges as the feminine voice of resistance to preserve and redeem her lost dignity at the hands of materialistic lust wanderers.

Bahadur Ladki:
When the sutradharadheres to contemporary Bollywood cinema as the child of nautanki, it shows the production’s self-conscious place in the historical continuum of lineage. The rendition of the Ganesh Vandana reiterates the now forgotten sacrosanct relationship between the artist and his art, between aesthetics and its spiritual force. Comprising entertainment in the form of humour, this segment showcases the effective amalgamation of spectacle and scrupulous social awareness. While the acting prowess of the Sippaiya (Namit Das) is par excellent, it is the acumen of the writer and director to establish the adaptive nature of language. The genre belongs to North India, the English dialogues beckons to the colonial authenticity of the character. The foreign language of the classes is accommodated and appropriated within the native genre of the masses. Ironically, it is the indigenous characters that mock the British accent- the uproar from the audience further makes them an equal participant in reducing the colonial Sippaiya to a comic caricature.

Sufi Basant:
For a narrative that is admittedly musical in nature, it is a sublime spectacle to unravel the story of spring through the choreography of color and lights. The blue light with a tinge of yellow casts the right melancholic mood for the mourner at the shrine. Basant is personified through the characters of the female singers- their bright yellow dupattas further deepening the brightness of their multi-coloured velvet kurtis. The fresh flush of yellow light flooding the right center of the stage along with the subdued movements and subtle teasing of the women characters infuse the stage with a transcendental mood. It is elevating and solacing at once- this yellow spirit when handed over to the sutradharwho wraps it around himself- truly creates Basant as a lived character.

Whose Music Is It?
This segment plays with the duality of atmospheres to communicate the difference in two worlds and worldviews. The contrast between the ideal and the commercial, the juxtaposition of the Indian with the Western is showcased through the visible distinction between the costumes and dialogues of the Classical singer and that of the playback music director. For the former, the stage is barren, the colors earthy and dialogues frugal; for the latter, the stage is strongly lit, accentuated with reverberating sound beats and an infusion of dialogue. Caught between these two, the narrative expresses the basic human desire for fame and acceptance.  

Kajri Akhada:
The ultimate rendition reverts to the unifying art form- theater. Although a competition of and between musicians, the transactional communication between the actor-singers and the audience takes place through the unadulterated art of acting. This segment demonstrated the significance of reaction in theatre. For most part, the focus is on the lead singer/s but it is the consistent reactions of the non-singing actors that added meaning to the musical tete-a-tete. The mock questioning of the validity of stories and rumours raises an interesting question of doubt and trust in the mind of the audience. The collective interest however, is clearly established- in the element and intention of dramatic quality. Be it the loud colors of the jackets or the pronounced body language of the actors; this last genre reinforces the loud, unabashed and dramatic quality of Indian regional theater and its indelible impact.   

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Why is it so obvious and I still can't accept it?
Why is it so piercing, the behavior you elicit?
Why can't I just do what all the others do?

When along with the others you do it too!
Have fun, share a laugh, little bit of flying;
but all I'm always left with is little more of worrying!

I'm just your little doll locked in your closet;
I've found the key but I just wouldn't use it.
I chose you, over everything I ever owned;
You stole away from me all the bliss I ever found!
You awesomely escaped to your green world so 'wow'

Leaving me behind with a painful broken vow!


~ Plabita Borthakur (manu)

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Kya tera jee nahin chaahta kabhi rukkne ka kahin?
Kya tu iss musalsal naukri se thakta nahin?
Kabse chalta ja raha hai...

Zara thheher ja, pagal!

Main baithhi hoon ek dost ke saath.
Tu bhi baithh ja yahin.

Teri saans phool rahi hai,
Aankhein jhool rahi hain,
Lag raha hai badla sa,
Kitna dubla patla sa...
Aisa kaisa bikhra hai haal?
Zara apni sehat sambhaal!
Yeh le chai, ab tu farmaa aaram.
Logon se kar thodi duaa-salaam.

Kya kaha?
Duty kaun karega?
Tere badle kaun chalega?

Main chalti hoon naa!
Iss dost ke saath.
Haathon mein haath.
Yun hi chalte rahenge hum...
Tu rukk ja, waqt, yahin tham ja!
Humein yun hi chalne de, samjha?

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I may be cold, I may be warm
Maybe I lie, maybe I'm true
Maybe I'm me, maybe I'm not
I may be torn, I may be one
I may be judged, I may be loved
I may be lost, I may be home
Maybe I'm changed, maybe I'm old
I may be high, I may be low
I may be heard, I may be quelled

Maybe I'm judged
Maybe I'm me, maybe I'm not

But all of this matter not

All that matters is my presence
Just my presence
Rest you can 'escape'



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 ख़ुशी की बूंदो से भरा पत्ता
गम की टहनी से नाम क्यों हो जाता हैं?

स्पर्श के हाथों से भरी आदत
तन्हाई की महक से भूल क्यों जाती हैं?

अपनों के शब्द से भरा खत
अनजान सियाह से मिट क्यों जाता हैं?

प्यार की लहर से भरा प्याला
समुद्र के किनारे पहुंच चला क्यों जाता हैं?

दिल की नादानी से भरा रिश्ता
वक़्त के दायरे से रिहा क्यों हो जाता हैं?

विश्वास की पुकार से भरी आवाज़
शक के झोकों से दब क्यों जाती हैं?

साज़ की कशिश से भरी ज़िन्दगी
सोज़ की कसक से मात क्यों जाती हैं?

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Jessica and Melanie, two twin sisters, met at a coffee house, after 16 long years, which followed a separation and fallout between parents after their biological mother died when they were very young. Their father sent Melanie to the care of their relatives. He was far too busy leading a life of luxury with the “other woman” and his “favorite daughter” thought Melanie. But what she didn’t know was the kind of hell Jessica went through everyday. They were both told that the other didn’t want to keep in touch and thus there would be no letters. Their bond was although well established, but it changed with changing times. Where Melanie, was allowed everything that she wanted, Jessica grew to become a subdued although rebellious teenager, where as Melanie blossomed into a self assured individual, sure of what she wanted and where to draw the line.

At 18 they both sat face to face. But it wasn’t like two sisters meeting each other after 14 long years, it was more like a mirror, and the person was so much more different from her reflection. They both had their own set of apprehensions, their own set of grudges, and both of them waited for the other to speak first. None of them spoke, and both went their own way.
One morning of their 20th birthday, both Melanie and Jessica received an email. Melanie, from her father, and Jessica from her aunt who took care of Melanie.
The email read :

Dear Melanie,
I know you must be very mad at me, but there is something you need to know. Your sister and I love and miss you a lot. I’m sure you have your own set of reasons to believe otherwise, but I did try. Try to win both my daughters. You both were 4 when it all happened. 
Before mom left us, I was out on a business trip, with my assistant Kate. When I got a call from my mom’s lawyer, stating that she’d filed a divorce. Mom and I had our share of issues, but we always knew how to get our way around them. But it was this time that your aunt Martha, yes the same one who died three days after mom, she really crossed the line. 

She’d never approved of your mom and me getting married, and did for a major part of the time create a lot of fights between us.You must have heard a very different version from Melissa, but she never really lived with us to sense the gravity of the situation.Melissa and your mom were the best of friends. Mom told Melissa everything, which enraged me to a great extent then, but in retrospect, it seems like a good move. 

When I got back from the trip, I realized that your mom was terminally ill, she told me she’d prepared a will and that I should read it only when she was gone. So the day she left us, I opened that envelope and picked up those printed papers, they read that, both of my daughters would be under the care of Melissa. And that if I wanted custody, I would have to apply for it.. which I did, but I could really only get only one of you, and I couldn’t decide who, for both of you were a beautiful amalgamation of your mother and me, more like your mom though, and I realized how much more I missed her with every passing second after our separation. The court ordered to give me custody of the older of the two, which is how Jessica came to live with me. I would never choose between my two lovely daughters.

Your mother was truly beautiful and so are her two little girls. Your aunt Martha told your mom that I was having an affair with my assistant, which was a lie, because I was never unfaithful.

I write to you to ask of your help. Your sister is falling apart, and it was time you knew the entire truth about your family. I never did cheat on your mother. And I don’t love this woman I’m married to. One might think I had it easy, lost his wife, got married again, still has the money. Only I know the kind of anguish I go through every single moment, living in the same room as the one who killed my wife and forced my children away from me. 

She does terrible things to Jessica as well. 

A sense of closure is something you both yearn for, and I think that if the two of you met, it’d do you both a lot of good. 

On your 20th birthday, I can only give you my love and ask for a lot more in return. I can only hope that you will give your sister a chance and agree to meet her.

Love,
Dad.

Melanie, did. After reading a similar mail, Jessica waited outside a coffee shop in the rain, wondering if Melanie would still be the same. When she saw the same pretty girl walk towards her, she smiled, without even realizing it. They both wanted to hug the other and never let go, but somehow exercised a great amount of restrain. Both stood uncomfortably before, by a sudden sound and jerk were thrown into each others arms. Their hands suddenly felt wet and their stomachs really hurt, looking around them, they saw people were falling, somewhere there was the sound of a fast bike screeching down the lane, and the voices of loud roaring and mean laughter filled the air.

 Mass Shooting.

Their hearts were full, and their eyes welled up. The rain kept washing the blood as it came, but it couldn't wash away the brutality of life. It couldn't wash away the pain. The floor they fell upon was hard and wet, and yet they found comfort in each others arms. The only words that escaped them were, "I've missed you so much" and with that the rain washed away every drop of life within them.

It continued to rain heavily after that, but it was never enough to pour life back into their dead corpses.

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It was a dimly lit, dusky saffron sky, the sun was in its last few stages of setting, and with each passing moment as the breeze gently blew, dried leaves fell to the ground, birds chirped their way back to their little nests, children ran around crushing the dry leaves; a happy time for everyone around. The sweet wind carried with it, the fragrance of blossomed flowers, it resonated with the sounds of nature, she sat there quietly smiling, watching her life unfold before her eyes, slowly yet fast, blurred yet distinctly clear in her reflection, her shaky wet reflection which smiled back at her from the white marble base of the water fountain on circumference of which she sat.

Soon she saw the face of the one she waited for, her wait had come to an end.

A new life, a new beginning was in store for her, for when all of nature was slowly preparing to sleep and rest, within her heart was fire and zest. Sure enough she knew about her cheating husband, and no she wasn't plotting his death or anything even remotely close to that. They'd never been separated officially, but they were living apart for almost a year now. Both quite comfortable with the arrangement in some ways, and yet they were dying to be together, just like old times. He was too guilty to face her, and she was too hurt to let it all just go by.

So they both took their time to let it all sink in. He told her it was a mistake, and she believed him, only after 12 long months of separation. Everything about the world was preparing to go to sleep, coming towards the end of a long day's work, only that her time had just begun. On a dusky Autumn sunset, she decided that she needed her husband more than she needed her pride to be intact. Sitting aimlessly, looking undecided in the waters, she made her decision.

When the birds were asleep and so were the children, among all other things alive, she lay awake in an over-sized gown, planning her next day.

It was a little cold outside, but she could feel only the warmth within her heart.

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If you ever miss me
Ignore me, don't brood.
I'm a ghost of the past
Starve me, give no food.

If you ever miss me
Cry some, but don't dwell.
I'm a ghost of the past
Let go, fare me well.

If you ever miss me
Smile, and then move on.
I'm a ghost of the past
You'll have a new dawn.

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